The album’s team of producers gives Smith a mostly blank canvas to showcase his vocals, providing room for soaring riffs over fingerpicked guitars on “Not in That Way” and “Leave Your Lover.” But neither leaves as indelible a mark as Smith’s lost love has left on his heart. Elsewhere, though he reaches for his upper register with the same eagerness that he grasps for love, his emo hopelessness is a flood drowning everything in sight. He rolls deepest on the gospel-powered “Stay With Me” – a spare track with a simple arrangement that matches its bare plea – and “Like I Can,” a blissful groove that packs a Seventies rock-radio punch. But while the album flirts with a few radiant moments, Smith’s endless yearning isn’t wrapped in as many irresistible packages. In the United States, it was released on 17 June 2014 through Capitol Records America. It was released in the United Kingdom on, via Capitol UK and Method Records. In the Lonely Hour is the debut studio album by English singer Sam Smith. Smith – a gifted blue-eyed-soulster with Barry Gibb’s flexible falsetto and Mark Ronson’s ear for throwback grooves – got noticed last year for his vocals on house duo Disclosure’s slow jam “Latch.” With In the Lonely Hour‘s orchestral flourishes and focus on a single unrealized affair, it seems the baby-faced singer is being positioned as a male Adele. Listen free to Sam Smith In the Lonely Hour (Deluxe Edition) (Money on My Mind, Good Thing and more). Where do lonely hearts go? British singer Sam Smith, 21, has written a dissertation on the question with his debut LP.
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